(O. Wilde, The Picture of Dorian Gray, ch. 2, pp. 45-46)
“...The water-surface, standing as interface between the phenomenal color-world and the noumenal non-color world, is never flatly opaque, but rather simultaneously partially opaque, partially reflective, and partially transparent. It is this protean analogical capacity of the water-mirror which makes it the central figure of intuition in Moby-Dick.”
(R. Zoellern, The salt-sea mastodon: a reading of Moby-Dick, p.44)
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